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I think much of the deeper meaning in a novel is created by these kinds of formal decisions.It is one of the things I love about writing novels, truly.In the novels that have stayed with me, when I get to the end I want to go back and read the book all over again.You can only understand a novel’s shape when you reach the ending and see all the connections, the repetitions with variations. All of that ideally will accumulate and resonate as much as the narrative itself.
You might be pushed forward in time, or given sudden intimacy to a character that was held at a distance for so long.
Dischronology works in a similar way to how cutting between various threads in a novel creates side-to-side momentum, not simply forward momentum.
But it should never seem arbitrary, and I am always aware of the risks.
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Perhaps Batman would pick up this videolink to talk with citizens of Gotham: https://videolink2.me/batman Thats how all people see page of Batman: So in case of emergency anybody can just talk with Batman via videolink instead of using old school spotlight.I did it in this novel because it felt right in the moment.And then I kept it in because it created something interesting to me.Spiotta’s latest book, , is about two female filmmakers, friends since attending high school in L.